This weekend (September 15th and 16th) in Auckland is Live the Passion - an event aimed to educate, enthuse and inspire photographers. Stephen Baugh will be there representing Queensberry and giving a Workspace presentation, as well as four master photographers - Jason Starr, Luci Harrison, Emma Hughes and Simon Woolf. If you're in Auckland (or can make it up) we recommend attending. The event will have sessions focusing on different types of photography including travel, documentary and fine art, as well as trade demonstrations and social media education. Live the Passion is being held at the To View More >>

Four years in, and Suzanne Black could teach a lot of people a lot of things…especially about marketing and surviving when times get tough. I had a chat with her about what she thinks are the keys to success, how she turns 90% of her enquiries into bookings and why albums are so important to her business. Positivity is contagious. Suzanne is feeling positive right now. I haven't heard that response to a question about the state of the economy in a long time, but after chatting I've decided describing her as "positive" is an understatement... She says, “In the current climate I think it's more To View More >>

I was sitting at my desk eating Mini Dinosaurs (from the Natural Confectionery Company). I was wondering about the scope of Photojunction as a tool in our business … the list of opportunities to make money from this (very free) software. I could increase the album sale with… More pages - fancy covers - extras like flips and wings - cases - digital copies, duplicates and parent albums - press book versions. I can show some of these (like extra pages, flips and wings) in the software. Others, like fancy covers, may need help from Queensberry's swatch book. Actually press books are a huge opportunity To View More >>

Why not design your albums in Photoshop or InDesign? A lot of people do, and they're great applications – we depend on them both ourselves. A few thoughts … Adobe don't think designing your albums in Photoshop is a good idea. That's not what it's for. Adobe's page layout software is InDesign. So how much does InDesign know about wedding and portrait photographers, their workflow, their albums and their suppliers? InDesign doesn't know what DPI your lab needs, or what file type, or what size the printed layouts should be, or about bleed and trim requirements, or what colour management processes To View More >>

Three quick tips to simplify album design. 1. Avoid unnecessary repetition (eg this is the bride looking slightly left, straight ahead, and slightly right) unless you make your profits from the number of images you sell. 2. Embrace open space (especially in sample albums - lead by example). 3. Offer a two album option that allows people to have lots of images without overcrowding. While I'm mentioning 'leading by example': If you don't make a sample album from each order, at least make each design into a slideshow you can show prospective clients. This library of slideshows allows you to show them To View More >>

I'm going to drop two shoes in this post. First shoe: Some time ago Johannes wrote a post he called Crikey ("that's a lot of money for an album"). It made me feel a little fidgety. I thought, we care too much about the quality of our products and services to compromise them, and maybe that's a problem. Clients often say they love what we do, but can we do it cheaper? Sometimes we try. We go about looking at how we could adapt a product, system or idea … but we don't do cheap well. We're as proud of our work as you are of yours, and compromising feels like we're shooting for the moon with an To View More >>

Heading back to where they first met, Stephanie and Adam married in the hilly pastures of rural Berkshires, just west of Massachusetts. Their naturally beautiful day was captured by Danielle Zielinski . They chose a remote farm as the perfect venue and married on a grassy knoll under a cherry tree; then shared drinks on the lawn, and celebrated at their reception in the barn. Danielle’s brief was to capture the natural, unstructured beauty of the day – and it was this style that inspired the design of the album, and presentation of the photographs. A Rimu timber cover set the natural tone To View More >>

Michael and Anna Costa have been touring the US over the past few months sharing their secrets at PUG conferences and events. We're their preferred album supplier so we designed an 18x12 Duo for them to take on tour. The objective was to demonstrate the value of differentiation: how great presentation can help you stand out and build your studio profile. So how did it go? We received this note from them: "I wanted to tell you the album is drop dead gorgeous. The hundreds of people that saw it absolutely loved it! It couldn't have got a better response.   "There’s just nothing quite like a Queensberry To View More >>

Photojunction ran an interesting post a day or two ago. Danny referenced a report from theweddingreport.com that spending on wedding photography in the US may be in decline. It prompted Sonya to mention anecdotal reports that UK photographers, also, may be in for a rough ride for a while – bookings down etc. Yes, times may be tougher next year. If they get tough for you, we’re concerned and sympathetic. Bad stuff happens in business, and if you’re affected, we are too. But... Don’t sabotage your long-term business in order to survive! What do I mean? Queensberry has always stressed the To View More >>

When I talk to Photojunction users and they express frustration with the application, I have to know more. When we hear so many users rave about how much time it has saved them, I am just perplexed when someone feels the exact opposite. For example, I've talked to few of you who are frustrated with the time consuming nature of exporting high res layouts when you simply want to send a client a layout to approve. Or, you had to make tiny changes requested by the client and had to deal with the Problem Reporter all over again. High Res exports of layouts only need to happen once. This step in Photojunction To View More >>