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This is the blog for professional photographers, and those who aspire to be. Our aim is to help professional photographers build long-term, sustainable careers.
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With the arrival of Press Books and now Press Albums, we've got a very big range of products on offer. In order to keep things simple and fresh we're retiring a few of our less popular older material and mat colours. Listed below are the colours that are now discontinued. For more about what 'discontinued' means and our policy on discontinued product options, sample upgrades and Swatch Book updates, click here. COVER MATERIALS • Classic Leather Sand • Micro Leather Gingerbread • Silk Claret (discontinued by our supplier so is no longer available) • Bengaline Silver • Bengaline To View More >>

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Queensberry's colour correctors are passionate about their work and achieving a result that pleases you, but even if you're not using their services the way they approach the job is worth thinking about. When they get an order, the first thing our colour correctors do is open up all the layouts to get a 'feel' for the overall colour of the album. Their goal is to optimise key elements like flesh tones or a bride's dress, and to achieve a consistent, natural look across page layouts and the entire album. Often we see albums where individual images have been tweaked without thought for how they To View More >>

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Some of you have noticed that our recently discontinued cover materials have disappeared from PJ Remix, and asked what's going on. Fair enough too. We haven't been as clear about it as we should, and we apologise for not explaining this earlier. Although some cover materials have gone from PJ Remix, it doesn't necessarily mean we can't supply them. In fact our policy is, if possible, to make them available for two years after removing them from our swatch book. So how do you order them in PJ Remix? It's fairly simple... 1) Choose 'Other' in the Cover Material options. 2) Then click 'Add Note' and To View More >>

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My son is getting married in six weeks, and my daughter next year in May. So everyone's asking, “ Who did you pick to photograph your kids’ weddings?" That's not what I asked myself. I asked the same question as the people who come and see me: "How much is this gonna cost?" The answer really opened my eyes… When I analyzed it, I'm paying the photographer and their assistant for their time that day, and they are giving me the files. After the wedding, I personally will edit, color correct, create 4x6 proofs, order a proof box, design an album, do the post production work, order the album, To View More >>

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After talking to Jessica Mills from NZ Colour Management, I thought we should bring in someone from the front lines! Philip Laing is one of our lab support specialists, and if my conversation with him paints a picture of a bunch of people obsessed with quality and delivering you the best possible album, my work is done. If you get get an insight into the many ways in which our lab service is truly unique in the album business, even better! Philip is what we call a "support detective". With a stack of experience – and huge enthusiasm for photography – he's in the front line every day ensuring To View More >>

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We really love it when people get just as excited about wedding albums as we do! And Melissa Jill is a photographer who simply loves what she does. She recently blogged about her new Queensberry sample album for Dan & Lindsey who got married last October at the Royal Palms in Phoenix. "I'm so excited! I just received a new sample album from Queensberry. It's 18x10 inches of supple micro leather goodness. I wish you could touch it through the screen. It's SO soft! I wanted to offer a really unique album to my high end clients and this album fits the bill beautifully! It is available with various To View More >>

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Welcome to the second interview in our series featuring clients whose businesses are thriving despite the current economic climate. Click here to read the first interview with Christian Oth. In the same year they had their first child, Chris and Darcie Siiteri started their Austin (Texas) photography business, Innovative Photography. Fifteen years later they’re still at it and doing better than ever. I gave an initially nervous Darcie an early morning call to chat about how they approach their album sales, and what they do to ensure their clients have an amazing experience and to foster relationships To View More >>

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Why not design your albums in Photoshop or InDesign? A lot of people do, and they're great applications – we depend on them both ourselves. A few thoughts … Adobe don't think designing your albums in Photoshop is a good idea. That's not what it's for. Adobe's page layout software is InDesign. So how much does InDesign know about wedding and portrait photographers, their workflow, their albums and their suppliers? InDesign doesn't know what DPI your lab needs, or what file type, or what size the printed layouts should be, or about bleed and trim requirements, or what colour management processes To View More >>

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I couldn't help myself ... I just had to jump in on this one. There are many reasons why photographers are coy on their pricing. They want to keep their colleagues uninformed. They don't want to frighten potential clients before they have had a chance to impress them with their own brand of personal charm, their list of awards, and the opportunity to brandish their Photoshop skills. They don't feel confident in their own pricing. We have two companies dealing with different budgets. The less expensive brand has full disclosure on the website. 65-75% of people responding to the website are booking To View More >>

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My interview with Rod Ellmore talked about how the close partnership between photographers and vendors in the '70s and '80s helped build some great careers, but it wasn't all positive. One disadvantage was that marketing gimmicks picked up at seminars organised by the vendors propagated like viruses! Like this one - the notorious "couple in the brandy glass". Pam brought us a picture (left) from her brother Martin's 80s wedding to Simone (thanks for sharing!). And I found proof that tacky ideas live on in Photoshop. Now you know I'm a snob – but not as much as I used to be: There's nothing wrong To View More >>

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