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This is the blog for professional photographers, and those who aspire to be. Our aim is to help professional photographers build long-term, sustainable careers.
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Who's hosting your website? Where do your images live online? Who's handling your sales? Doing your printing? Collecting the cash? Who’s designing your books and albums? How do your proof them online? Who makes them for you? How do you get your stuff out on Facebook and your blog? How many vendors are involved? How well do they work together? How much of your time does it take? And how much does it all cost? Maybe it’s all so hard you’re just giving people the “Crown Jewels” on DVD?! We have a better idea… We’ve been working for months with one simple goal - to create the world’s To View More >>

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Well, it's a sad day. Kodak has been felled by exactly what it espoused: universal access to cameras. – The Washington Post. That's true, but it's not the whole story. Kodak was also felled by its commitment to its legacy film business … even though it was a digital pioneer too. To be clear, Kodak says it isn't closing the doors, it's continuing to restructure, but still, it's sad to see a company (and technology) decline that brought so much good into the world - art created, memories conserved and stories told. Three things are certain: 1. Our world is changing, and we have to change with To View More >>

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Click here to watch the video on Vimeo. I remember someone in the graphic design industry (quite well known actually) posting a tweet saying, "Colour management is bullshit!" The picture that flashed through my mind was of graphic designers and brand managers hanging out at the printers, tweaking colours on the machine before they sign off on a job… And yet here we are at Queensberry, printing for very fussy photographers (often on the far side of the world), putting the prints into really pricey albums (sight unseen) and flying them at great expense to Europe, or North America, or Hong Kong. To View More >>

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This has been a big year for Queensberry. Especially the launch of Queensberry Press. New products, new services, new technology, new price points. The challenge is making it easy for you to get your head around. Why so many products? What’s the difference between them? How much do they cost? We came up with this Good Better Best matrix to map out what we do. Good Better Best is a strategy - having a range of products and services to tempt your clients across a range of price points. Good is your entry level – affordable if you like. Best is aspirational (expensive). Better is in the middle To View More >>

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As we announced back in February, we're in the process of streamlining the way Photojunction handles third-party vendors. As part of that process, we will tomorrow be removing the Cover Material, Cover Style, and Titles resources, as well as the largely unused “Send Order” functionality for all suppliers other than Queensberry. If you're using PJ to design Queensberry albums, or not using the functions listed above, you won't notice any difference. Only those designing for a handful of vendors are affected, and we understand that those most affected have been working through the transition To View More >>

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Queensberry's colour correctors are passionate about their work and achieving a result that pleases you, but even if you're not using their services the way they approach the job is worth thinking about. When they get an order, the first thing our colour correctors do is open up all the layouts to get a 'feel' for the overall colour of the album. Their goal is to optimise key elements like flesh tones or a bride's dress, and to achieve a consistent, natural look across page layouts and the entire album. Often we see albums where individual images have been tweaked without thought for how they To View More >>

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Some of you have noticed that our recently discontinued cover materials have disappeared from PJ Remix, and asked what's going on. Fair enough too. We haven't been as clear about it as we should, and we apologise for not explaining this earlier. Although some cover materials have gone from PJ Remix, it doesn't necessarily mean we can't supply them. In fact our policy is, if possible, to make them available for two years after removing them from our swatch book. So how do you order them in PJ Remix? It's fairly simple... 1) Choose 'Other' in the Cover Material options. 2) Then click 'Add Note' and To View More >>

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                  How do you know what size and shape to make an album cover image? How do you account for the aspect ratio and cover wrap-around (the part of the image you can't see)? If it sounds hard, it's not. Just design the cover in PJ Remix. It's exactly like designing pages only easier. You can see the aspect ratio and the wrap-around. And problems rarely occur because it's so obvious when images don't fit. We've already blogged about album covers, especially here and here, so we won't repeat ourselves. If you're not sure how to send us the image there's a link about that too. To View More >>

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Things have a habit of creeping up on you, as our friends at Seldex have reminded us by sending an email to their clients reminding them that come July they won't be able to use Photojunction's cover design and Send Order functions. (We announced as much here back in February.) We've counted Seldex as friends for years – in fact they sold Queensberry albums in Australia back in the day! - so this is a rather sad time, the culmination of a process that started to unfold a couple of years ago when we realised that most suppliers weren't going to support PJ as a universal album design tool, which To View More >>

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After talking to Jessica Mills from NZ Colour Management, I thought we should bring in someone from the front lines! Philip Laing is one of our lab support specialists, and if my conversation with him paints a picture of a bunch of people obsessed with quality and delivering you the best possible album, my work is done. If you get get an insight into the many ways in which our lab service is truly unique in the album business, even better! Philip is what we call a "support detective". With a stack of experience – and huge enthusiasm for photography – he's in the front line every day ensuring To View More >>

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