This week's feature album comes from French photographer Mathilde Magne who captured Barbara and Ludovic's big day. Mathilde shares the couple's love story explaining, "Barbara and Ludovic first fell in love at the age of nine before moving away from each other. After 21 years apart, they met again several years ago and both felt like nothing had ever changed between them. They married on 25 June 2010." This is their 18x10 Duo album complete with matching 7-inch copy... Click here to view Barbara and Ludovic's entire album. Cheers, Nigel To View More >>

(Photography by Simon Whitten) Truth is, sometimes I've felt a bit self-conscious writing about our wedding. Every day I see albums from top photographers around the world of the most elaborate, extravagant and expensive weddings you could imagine. Sometimes I've wondered if what I'm writing is even relevant ... because Kayla and I didn't get married in a castle! But my intention has been to share our experiences and insights, not to compare our wedding to another. And the truth is that the weddings we're lucky enough to share in at Queensberry take place everywhere, "from humble homes to palaces." To View More >>

The first thing you need in a wedding photographer is that they show up on the day. Simon Whitten gets from Venice to London under an ash cloud ... Thursday AM I am wrapped up in a honeymoon photo-shoot with clients in Venice when my phone rings: "Have you heard the news? - UK air space is being shutdown this evening from 7pm". Oh dear ... we are booked on a flight that afternoon to get back to the UK with a clear full day between our shoot in Venice and a wedding on the Saturday. The airline Jet2.com's website is useless, as are their emergency contact numbers. Not a single one of their phone To View More >>

If you haven't been to the Photojunction website or blog lately, you won't recognise them. What's going on? Well, the old PJ site had to go, for several reasons. • Danny was embarrassed by it (me too). • PJ has changed so fast that a lot of the support info was out of date. • There's a bit of misinformation out there (I'll get to that). • And it's high time we came out of the closet… So here's the story: In case you don't know, Photojunction is a Queensberry project. It dates back ten years to when we first realised that any album supplier without a software solution was history (we were To View More >>

Listen to people talk and you'd think only two people are involved in buying an album—the bride and her mother. But what happens if the person making the decisions is the guy? How do you sell to him? Well it's been a while since I got married but I'm a guy … let me think: If the first time you think about me is when you finally realise that I'm blocking your sale, too late! You needed to start paying attention a lot earlier. But let's start at that point anyway, and work backwards… 1. If you ignore me while doing that sales job on my girl I'm probably not going to be happy. There's been a To View More >>

You, the photographer, are entrusted with telling the story of a couple's day ... not any old day ... it's the BIG one. [caption id="attachment_8319" align="alignleft" width="333" caption="The bride and groom"][/caption] They want it told with beauty and creativity. They chose you because they saw your work and figured that you would be the best person to tell their story. Or was it that they fell in love with your prices, and assumed that all photographers were equal (except for pricing)? Ultimately we are telling a story ... we need to know whether we are the authors or the observers, and apply To View More >>

I've gathered enough gongs now to qualify for an opinion on album design. Last week I was a judge for the Australian Professional Photography Awards at PMA in Melbourne. This was an honour I shared with the lovely Jo Grams, Jerry Ghionis, Jackie Chan, Yervant and other luminaries. Several things became apparent: 1) Some authors treated the album as a set of individual prints, mixing black and whites with colours, verticals with horizontals, with blatant disregard for the influence of those images on each other. 2) Some authors were hypnotised by the ability to apply a filter to create a look ... To View More >>

Like many good things, and all great albums, Musée begins with a story. In fact it begins with three stories, and the real magic is how they weave together... The first begins several years ago with a traveller on a bus in Spain, who strikes up a conversation with the woman sitting next to him. They like each other enough to introduce themselves. He's a wedding photographer from the far side of the world, in Spain on a scholarship. She's a paper conservator living in England, home to visit her family in Barcelona - and as it turns out, later, in love. The photographer and the conservator To View More >>

[caption id="attachment_7717" align="alignnone" width="500" caption="Click to view image full-size"][/caption] It's been said that the first rule of online social media is, Invest your time, not your money. Which is why it's so hard to do. Let's face it – who has the time? So how about a marketing opportunity that requires just a button-click? We've just snuck (if that's a word) a new feature into Queensberry's Photojunction Resources, and judging by the emails already coming in it's going to be a popular idea. If we're printing and assembling your album, you'll see a question asking if you'd To View More >>

I recently held a small workshop in the UK at the studio of Zoe Richards just out of Liverpool. It was intimate (there were only nine of us). We discussed album design and particularly spoke about the Musée. One of the ideas of that album is to create a feeling of intimacy. The resounding lesson from our discussion was about that and simplicity. Too often people cram images into albums to the point where there is no room to rest your eyes. The Musée design uses space to reinforce the luxury and quality feel of the product. There is something exciting about an intimate moment in a cupboard but To View More >>