The Junction has been a bit quiet lately so I thought I would talk to you about what the developers have been brewing. I have a lot of fruit trees at my place but two of my favorites are a Peachcot and a Peacharine. These are cross pollinations between a peach and an apricot and a peach and a nectarine. Individually beautiful to eat, but when you blend the two together you get something special. The guys at Queensberry and Photojunction have been doing a bit of cross pollinating of their own. Press albums are the new kid on the block for us. Taking two products, both beautiful in their own right, To View More >>

Things have a habit of creeping up on you, as our friends at Seldex have reminded us by sending an email to their clients reminding them that come July they won't be able to use Photojunction's cover design and Send Order functions. (We announced as much here back in February.) We've counted Seldex as friends for years – in fact they sold Queensberry albums in Australia back in the day! - so this is a rather sad time, the culmination of a process that started to unfold a couple of years ago when we realised that most suppliers weren't going to support PJ as a universal album design tool, which To View More >>

Most artists sign their work and as a photographer you probably (very rightly) want to 'leave your mark' somewhere on your images. So what are your options when it comes to including your studio name or logo in Queensberry albums and press books? Here are some actual examples: On press books you have the option of placing the studio or photographer's name on the back of designable covers: The inside flaps of dust jackets are a subtle place to include your logo or any further studio details like your website address: Titles are the most common place to include a studio name, and all of our templates To View More >>

All software evolves as new features are added and new versions released. Photojunction and Photoshop are no exception, and, as PJ takes advantage of more, often newer, features of Photoshop, its "backwards compatibility" with older versions is lessened. That's why we recommend that you use Photoshop CS3 or later with Photojunction. If you use CS2 or even earlier, chances are that it will work fine, but you may occasionally find that some PSD files don't import correctly as images or templates, or that you get error messages when exporting with PS scripting. If that happens, all Support can do To View More >>

Hello dears It was a busy day at the office getting out v1.49, which fixes a few problems that surfaced in v1.48. But the most exciting thing is that we also published the resources for the Queensberry Press v2.0. The new books are gorgeous. Oh dear, I nearly forgot – Queensberry is offering half price on all Press Books until the 6th of May 2011. Click here for more! Wrap up well! Love, Nanny PS You can check out the list of fixes on the Photojunction software update notification screen. To View More >>

I was sitting at my desk eating Mini Dinosaurs (from the Natural Confectionery Company). I was wondering about the scope of Photojunction as a tool in our business … the list of opportunities to make money from this (very free) software. I could increase the album sale with… More pages - fancy covers - extras like flips and wings - cases - digital copies, duplicates and parent albums - press book versions. I can show some of these (like extra pages, flips and wings) in the software. Others, like fancy covers, may need help from Queensberry's swatch book. Actually press books are a huge opportunity To View More >>

One of the most beautiful features of Queensberry Press Books is the ability to add translucent pages. The PJ team have been busy working on this feature and you can now add text and images just as easily as you can on ordinary pages. Translucents can be added just about anywhere you like using the button at the bottom of the layout window (see image below). Translucent pages can be used to overlay text over an image; or image over image. They give a whole new dimension to your book - adding a soft delicate atmosphere or "unveiling" the story. It's really a personal decision as to how much opacity To View More >>

We've now released v1.49 to fix a few minor issues in 1.48, but everything in this post is still current - Ed. In case you haven't noticed, we kiwis are very modest ;) Which is why I like announcing stuff that I didn't have much to do with, but I feel really good about, because I can sing its praises without feeling bad about myself! Anyway… The dev team have been busy busy today pushing out a new final release, and I think it's a really good one. They've put a lot of time and effort into refining features first released in v1.47, especially for Queensberry Press Books, but there's some juicy To View More >>

Why not design your albums in Photoshop or InDesign? A lot of people do, and they're great applications – we depend on them both ourselves. A few thoughts … Adobe don't think designing your albums in Photoshop is a good idea. That's not what it's for. Adobe's page layout software is InDesign. So how much does InDesign know about wedding and portrait photographers, their workflow, their albums and their suppliers? InDesign doesn't know what DPI your lab needs, or what file type, or what size the printed layouts should be, or about bleed and trim requirements, or what colour management processes To View More >>

Version 1.47, builds on changes introduced in v1.46. Our main focus was on Queensberry's new press books, including fixes to the new workflow, many of them "behind the scenes" from the user point of view. We know we have a way to go with this and the developers are continuing to work on cover design issues in particular. Having said that we've introduced three new features to speed up your album design. They're still a bit "v1.0", but we wrote them in consultation with Queensberry's design team, who live and die by productivity, and we wanted to get them to you early so you could take a look and To View More >>