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Don't miss out on our great Mid-Winter Christmas special, which ends 31 July… 1. Free design and free colour correction on all our pro books and albums - a big saving and maybe a chance to try these services for the first time on us. 2. If you want to sell albums you need display samples! We're offering 50% sample album discount on all our professional books and albums (normally 25%). PLUS we'll do free colour correction and design on those as well. It doesn't get better than that. So no reason not to take advantage of our mid-Winter Christmas. We do the work, you save the time and the money To View More >>
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Spot the difference? Yes, one photo's new, one's old. One's in colour, but they're both gold. Rivers of gold! Sure, the new gold is data, but like the old gold it's hard to mine. They reckon perhaps 3,500,000,000,000 photos have been taken in human history, and maybe 3,500,000,000 of those in the last twelve months. Even the people who took them know that most of them are crap! Digging for gold in that lot is like panning for gold in that river. Tough work and hardly anyone's going to do it. Want to do your photos a favour? Pick the best ones (one in ten? a hundred?) and delete the rest. Don't To View More >>
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Pete and Ian have been blogging about colour management systems and how they help to ensure your image editing work delivers predictable colour and high-quality printing. But there's a lot to think about! Even the light you're working in can affect the results … or the clothes you're wearing, or the colour of your walls. So what could be easier? Getting us to do the work! Here's an incredibly simple new service, and a special offer: Batch Colour Correction by Queensberry in Lightroom. You can use our plugins, no matter where you are in the world, to send us DNG files from raw images you select To View More >>
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Pete started off his recent posts by saying that colour management is one of the cornerstones of digital photography, but often misunderstood. Let me describe what you can reasonably expect from a sound colour management system consistently applied (certainly not miracles!). What you can expect 1. A reasonable indication of what your final print will look like (assuming you're sending the files print-ready). 2. To avoid gross errors (an Adobe 1998 file treated as if it's sRGB will look strikingly different, especially if colours go out of gamut). 3. Predictability: You can send your files to the To View More >>
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Ian likes to talk about the good old days, when colour correction and colour management were a matter of picking up the phone and complaining to the lab. OK … I remember them too. Well, you can still outsource colour correction, but colour management is a shared responsibility now. In my earlier post I talk about screen calibration and soft-proofing, which most of us at least know about - but few people understand that taking all the care in the world over those won't be enough if your working environment is wrong. Try this experiment. First thing in the morning, sit down at your desk (where To View More >>
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Colour management is one of the cornerstones of digital photography, it is also one of the most misunderstood. Some photographers are experts, some try to ignore the subject, some don't seem to have heard of it, others have read about it on forums or blogs and (kind of) get it. Years ago when our lab went digital, we brought in the experts to help set up our systems and get the best results from our printers. This relationship was not a one-date wonder. Ian and Jessica from NZ Colour Management have consulted to us regularly ever since. One thing's certain. If you use our print-ready service you To View More >>
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Since launching the new Queensberry Print website, we’ve had quite a few compliments on the illustrations in the homepage slideshow. So we thought we’d share a bit about Toril Bækmark, the illustrator we worked with to create these beautiful images. Craft, artisanship and attention to detail are close to our hearts, and we believe our lab team are true artisans in an industry where those qualities are fast disappearing. We wanted to express this on the new site, and finding an illustrator aligned with those values was very important. Toril's portfolio shows her high level of sophistication To View More >>
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In many labs these days the only people who look at your prints are the Dispatch team. Strange as it seems, that makes sense – it's your files they’re printing, and something has to give if you want low prices. But it doesn’t make sense at Queensberry. We critique everything we print, including Print-Ready. The difference is we see the image files with Full Colour Service (because it’s our job to colour correct them) whereas we don’t see Print-Ready work until it’s printed . But why review Print-Ready work at all? Print-Ready means you edit your images yourself, and we don’t modify To View More >>
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Hello everyone! My name is Amanda and I'm the newest member of the Queensberry team. I've jumped on board to take part in our communications so chances are if you're engaging with us on Twitter or Facebook- it'll be me you're talking to! Being new around here I've had a lot to learn, one of the biggest things being the difference between Photojunction and Workspace. I thought it might be handy to outline some of their key differences that have helped me understand the functions of each. Hopefully my notes will help you too! Let's start with Photojunction: Photojunction is a powerful desktop programme, To View More >>
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It's been a busy year for Queensberry. We've made some minor changes to our classic albums, but the big news has been the launch of Musée and the Queensberry Press. We're big believers in the principle of "Good Better Best" as a way to tempt your clients' wallets and aspirations, and these new ranges reflect that. Beautiful as they are, we understand that our albums are a luxury for most people. The Queensberry Press isn't about albums, however, but books. Books have their own strengths — they can hold more images, they're as comfortable with text as with pictures — but part of their appeal To View More >>
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